The Founding of the Winterthur Library
In the 1940s Henry Francis du Pont began collecting material for a scholarly research library. He envisioned a graduate training program at Winterthur and knew that graduate students in the decorative arts would require a library with original materials from the 1500s through the 1800s. He believed that original sources were critical to understanding museum objects and the periods in which they were created.
The WPEAC class in Memorial Library
Winterthur, Delaware; 1952
Silver gelatin print
P194 Winterthur Archives
In the late 1940s, when du Pont hired staff for the museum and library that was to open in 1951, those professionals assumed responsibility for expanding du Pont’s rare book holdings. Frank Sommer, the first library director, and Charles Montgomery, museum curator and later museum director, embarked upon a remarkable book-buying spree in anticipation of the 1952 debut of the Winterthur Program in Early American Culture (WPEAC), now known as the Winterthur Program in American Material Culture (WPAMC).
List of Book purchases from American dealers made by Mr. H. F. du Pont, 1943–52 (Cover page)
HF1009 Winterthur Archives
The purchases made by Sommer and Montgomery covered a broad range. Materials included technical treatises, design sources, early periodicals, trade catalogues, production manuals, and even drawing books. [See full list.] In combination with du Pont’s early acquisitions, these original works provided outstanding resources for the museum’s graduate students, curators, and visiting scholars and contributed to the foundation of Winterthur Library.
The following books appear on this list.
A Treatise on Japanning and Varnishing
By John Stalker and George Parker
Oxford, England; 1688
TP938 S78 F Printed Book and Periodical Collection, gift of Henry Francis du Pont
Case by John Pimm, japanner unknown
Boston, Massachusetts; 1740–50
Japanning on white pine and maple
1957.1084 Bequest of Henry Francis du Pont
Stalker and Parker’s 1688 manual for creating japanned (lacquerlike) decorations on surfaces dates from the height of England’s infatuation with the Orient. Artisans would have consulted publications such as this one when producing objects like the high chest.
The Cabinet-maker and Upholsterer’s Guide [by George Hepplewhite]
Published by A. Hepplewhite and Co, printed by I. and J. Taylor
London, England; 1789
NK2542 H51* Printed Book and Periodical Collection, gift of Henry Francis du Pont
Gilt over gesso on wood
1953.0162.001 Museum purchase
Many English looking glasses in the neoclassical taste were exported to America. This example is similar to plate 117 in Hepplewhite’s Cabinet-maker and Upholsterer’s Guide, one of the most popular design books of the late 1700s.
The Repository of Arts, Literature, Fashions, &c.
Published by Rudolph Ackermann
London, England; 1810
AP4 R42 Printed Book and Periodical Collection, gift of Henry Francis du Pont
Rudolph Ackermann was an entrepreneur whose fashionable London store sold prints, books, art supplies, and fancy goods. His popular periodical, The Repository of Arts, promoted his store and contained poetry, art and music reviews, fashion plates, and fabric samples. It influenced taste in both Britain and America.
Household Furniture and Interior Decoration
By Thomas Hope, published by Longman, Hurst, Beers & Orme
London, England; 1807
NK2135 H79 F Printed Book and Periodical Collection, gift of Henry Francis du Pont
The vivid color scheme of the room pictured here included sky blue walls, crimson sofas, and a ceiling of pale yellow intermixed with azure and sea green. Thomas Hope published this book to document the classical interiors he designed and installed in his London home. His individual and high-style designs were based on years of study and travel throughout Egypt, Greece, and the eastern Mediterranean.
An Analysis of Drapery; or, The Upholsterer’s Assistant
By James Arrowsmith, printed by M. Bell
London, England; 1819
TT390 A77 Printed Book and Periodical Collection, gift of Henry Francis du Pont
Elaborate draperies were a major feature of fashionable interiors in the early 1800s. This influential book of drapery design includes tables for determining yardage and advice on decorative hardware. The title page notes that it was sold at Ackermann’s shop. Collectors such as H. F. du Pont would have consulted this book when making design decisions.
A Book of Lamps, Lanterns, & c. Manufactured at Birmingham
[Birmingham, England; 1812]
NK8360 B61* TC Printed Book and Periodical Collection, gift of Henry Francis du Pont
In the 1800s, manufacturers published trade catalogues that gave wholesale and retail merchants images, specifications, and prices for their wares. These catalogues tell us much about the products available to consumers in a given period.
Spode book of chinaware shapes and dimensions
Stoke-on-Trent, England; about 1820
Iron gall and india ink
65×574 Downs Collection, gift of Henry Francis du Pont
Glacier (Ice Cream Pail)
Made by W. T. Copeland and Sons, Ltd.
Staffordshire, England; 1805–15
1961.0639.020 Bequest of Henry Francis du Pont
Spode, an important English pottery firm, used this book in its London warehouse to record the standard shapes and sizes of porcelain produced in its Stoke-on-Trent factory. The book reveals typical production practices of a firm that exported many wares to America. It also documents how individual objects like this glacier were made.
Glaciers were fashionable serving dishes for ice cream. Ice in the base of the bowl helped to keep the dessert chilled.
Vollstandiges Marburger Gessang-buch
(Complete Marburg Hymnal)
By Henrich Ludwig
Marburg, Germany; 1792
Hand-painted parchment over wooden boards
1959.2815 Bequest of Henry Francis du Pont
Schoolmaster’s book of Pennsylvania German Fraktur letters
Drawn by Samuel Ensminger
Lancaster County, Pennsylvania; 1821
Iron gall ink and watercolor
65×584 Downs Collection, gift of Henry Francis du Pont
Attributed to Conrad Mumbauer
Bucks County, Pennsylvania; 1820–40
1955.0109.002 Bequest of Henry Francis du Pont
In Pennsylvania German schools, students learned fine handwriting by copying examples executed by the schoolmaster, such as the page seen here. This same style of letters, birds, and flowers appears on pottery from the region and on bookbindings that immigrants brought with them from Europe. Through comparisons such as these, documents such as the schoolmaster’s book can help us understand how culture and design were transmitted from Europe to America.